92nd Street Y, 1395 Lexington Avenue, New York, NY 10128
Michael Chabon’s new novel is Telegraph Avenue. He is “one of the most imaginative fiction writers of his generation,” wrote Steve Almond. “His readers have come to expect, along with silky prose and high-concept plots, a thrilling immersion in far-flung, intricately conceived worlds.” …
Michael Chabon’s new novel is Telegraph Avenue. He is “one of the most imaginative fiction writers of his generation,” wrote Steve Almond. “His readers have come to expect, along with silky prose and high-concept plots, a thrilling immersion in far-flung, intricately conceived worlds.” Zadie Smith’s new novel is NW. Her writing “reflects a lively, unselfconscious, rigorous, erudite and earnestly open mind that’s busy refining its view of life, literature and a great deal in between,” wrote Ella Taylor. “Smith shows herself in more ways than one to be a very old, empathetic head on ridiculously young shoulders.”
ABOUT MICHAEL CHABON'S TELEGRAPH AVENUE
As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there—longtime friends, bandmates, and co-regents of Brokeland Records, a kingdom of used vinyl located in the borderlands of Berkeley and Oakland. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, two semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose heart—half tavern, half temple—stands Brokeland.
When ex–NFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue, Nat and Archy fear it means certain doom for their vulnerable little enterprise. Meanwhile, Aviva and Gwen also find themselves caught up in a battle for their professional existence, one that tests the limits of their friendship. Adding another layer of complication to the couples' already tangled lives is the surprise appearance of Titus Joyner, the teenage son Archy has never acknowledged and the love of fifteen-year-old Julius Jaffe's life.
An intimate epic, a NorCal Middlemarch set to the funky beat of classic vinyl soul-jazz and pulsing with a virtuosic, pyrotechnical style all its own, Telegraph Avenue is the great American novel we've been waiting for. Generous, imaginative, funny, moving, thrilling, humane, triumphant, it is Michael Chabon's most dazzling book yet.
ABOUT ZADIE SMITH'S NW
This is the story of a city.
The northwest corner of a city. Here you’ll find guests and hosts, those with power and those without it, people who live somewhere special and others who live nowhere at all. And many people in between.
Every city is like this. Cheek-by-jowl living. Separate worlds.
And then there are the visitations: the rare times a stranger crosses a threshold without permission or warning, causing a disruption in the whole system. Like the April afternoon a woman came to Leah Hanwell’s door, seeking help, disturbing the peace, forcing Leah out of her isolation…
Zadie Smith’s brilliant tragi-comic new novel follows four Londoners - Leah, Natalie, Felix and Nathan – as they try to make adult lives outside of Caldwell, the council estate of their childhood. From private houses to public parks, at work and at play, their London is a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end.
Depicting the modern urban zone – familiar to town-dwellers everywhere – Zadie Smith’s NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.
Edwidge Danticat’s recent work of non-fiction, Create Dangerously, is “a call to arms for all immigrants, all artists, all those who choose to bear witness, and all those who choose to listen,” wrote Dave Eggers. Her forthcoming collection of stories is Claire of the Sea-Light. Salman Rushdie’s…
Edwidge Danticat’s recent work of non-fiction, Create Dangerously, is “a call to arms for all immigrants, all artists, all those who choose to bear witness, and all those who choose to listen,” wrote Dave Eggers. Her forthcoming collection of stories is Claire of the Sea-Light. Salman Rushdie’s new memoir, about his years in hiding, is Joseph Anton. “Original art is never created in the safe middle ground,” said Rushdie at 2012’s PEN World Voices Festival. “Originality is dangerous. It challenges, questions, overturns assumptions, unsettles moral codes, disrespects sacred cows. . . . This is the art whose right to exist we must not only defend, but celebrate.”
ABOUT CREATE DANGEROUSLY
In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat eulogizes an aunt who guarded her family's homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented alien, and a renowned Haitian radio journalist whose political assassination shocked the world. Danticat writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, a woman mutilated in a machete attack who became a public witness against torture, and the work of Jean-Michel Basquiat and other artists of Haitian descent. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe.
Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.
ABOUT JOSEPH ANTON
On February 14, 1989, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet and the Quran.”
So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton.
How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom.
It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day.
Mary Oliver’s new book of poems is A Thousand Mornings. Her “poetry is fine and deep; it reads like a blessing,” wrote Stanley Kunitz. “Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations.” ABOUT A THOUSAND MORNINGS…
Mary Oliver’s new book of poems is A Thousand Mornings. Her “poetry is fine and deep; it reads like a blessing,” wrote Stanley Kunitz. “Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations.”
ABOUT A THOUSAND MORNINGS
In A THOUSAND MORNINGS, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. In these pages, Oliver shares the wonder of dawn, the grace of animals, and the transformative power of attention. Whether studying the leaves of a tree or mourning her adored dog, Percy, she is ever patient in her observations and open to the teachings contained in the smallest of moments.