Franklin Park's Monthly Reading Series Presents: BRIAN EVENSON (Windeye, Immobility) JOSHUA HENKIN (The World Without You, Matrimony) KATHLEEN ALCOTT (The Dangers of Proximal Alphabets) COURTNEY ELIZABETH MAUK (Spark) J.E. REICH (Armchair Shotgun) About Brian Evenson's WINDEYE A woman falling out…
Franklin Park's Monthly Reading Series Presents:
BRIAN EVENSON (Windeye, Immobility)
JOSHUA HENKIN (The World Without You, Matrimony)
KATHLEEN ALCOTT (The Dangers of Proximal Alphabets)
COURTNEY ELIZABETH MAUK (Spark)
J.E. REICH (Armchair Shotgun)
About Brian Evenson's WINDEYE
A woman falling out of sync with the world; a king's servant hypnotized by his murderous horse; a transplanted ear with a mind of its own—the characters in these stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined. Brian Evenson, master of literary horror, presents his most far-ranging collection to date, exploring how humans can persist in an increasingly unreal world. Haunting, gripping, and psychologically fierce, these tales illuminate a dark and unsettling side of humanity.
About Joshua Henkin's THE WORLD WITHOUT YOU
Set in 2005, over the Fourth of July holiday, The World Without You follows the Frankel family as they gather at their summer home in the Berkshires to memorialize Leo, their youngest son, who was killed while working as a journalist in Iraq (in a situation reminiscent of Daniel Pearl’s 2002 murder in Pakistan). One year after Leo’s death, his wife is taking the first steps towards a new relationship, his parents Marilyn and David are on the brink of divorce, and his sisters are struggling too: Clarissa with infertility, Noelle (a born-again Orthodox Jew) with her identity, and Lily with the anger she is carrying over the loss of her brother. As the Frankel family takes their first, tentative steps out of mourning, each tries to find a new place in a world, while understanding that Leo’s death has changed them, and their family, forever.
About Kathleen Alcott's THE DANGERS OF PROXIMAL ALPHABETS
Ida grew up with Jackson and James—where there was “I” there was a “J.” She can’t recall a time when she didn’t have them around, whether in their early days camping out in the boys’ room decorated with circus scenes or later drinking on rooftops as teenagers. While the world outside saw them as neighbors and friends, to each other the three formed a family unit—two brothers and a sister—not drawn from blood, but drawn from a deep need to fill a void in their single parent households. Theirs was a relationship of communication without speaking, of understanding without judgment, of intimacy without rules and limits.
But as the three of them mature and emotions become more complex, Ida and Jackson find themselves more than just siblings. When Jackson’s somnambulism produces violent outbursts and James is hospitalized, Ida is paralyzed by the events that threaten to shatter her family and put it beyond her reach. Kathleen Alcott’s striking debut, The Dangers of Proximal Alphabets, is an emotional, deeply layered love story that explores the dynamics of family when it defies bloodlines and societal conventions.