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Omnivore

How music evolves

Ramon Ramirez on how Earl Sweatshirt became Internet rap’s reluctant icon. In praise of vulgar feminism: Agata Pyzik reviews Girl in a Band by Kim Gordon and Hole’s Live Through This by Anwen Crawford. Is PC Music the future of pop or “contemptuous parody”? Since emerging two years ago, they’ve divided the critics with their strange sounds and highly manufactured image. A different tune: Nick Holdstock on music, identity and resistance in far west China. Rap lyrics are fiction — but prosecutors


Paper Trail

The Windham-Campbell Prize and Yale University Press have announced a new book series titles “Why I Write,” which will commence with books by Hilton Als and Patti Smith. Als will also give the keynote speech at this year’s awards ceremony, which will take place on September 28 and will honor Teju Cole, Jackie Sibblies Drury,

Syllabi

The Innocent/Corrupt

Adam ThirlwellA narrator is a much stranger toy at the novelist's disposal than is usually thought. It's not just something as depressingly ordinary as a character—more a vast system of smuggling. And there's one

Daily Review

Agnes Martin: Her Life and Art

In Charles R. Rushton's 1991 black-and-white portrait, Agnes Martin (1912–2004) sits in a wooden rocking chair in the left third of the frame, beside the white cement wall of her New Mexico studio. One of her canonical six-by-six-feet canvases hangs low to the ground

Interviews

Maggie Nelson

Maggie Nelson is the only serious and literary person I've encountered whose speech is filled with more "you knows" than mine. Unlike mine, perhaps, her verbal tic is not so much a crutch as a helping hand: she'll be saying something fast, brilliant, and thoughtful, and maybe you don't totally get it, but when she says "you know," she allows you to feel as if you do.

Excerpt

Of Walking in Ice

Werner Herzog

At the end of November 1974, a friend from Paris called and told me that Lotte Eisner was seriously ill and would probably die. I said that this must not be, not at this time, German cinema could not do without her now, we would not permit her death.

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