On property theory

From Rationality, Markets and Morals, Lars Lindblom (Umea): Anarchy, State, and Property. David Ellerman (UC-Riverside): On Property Theory. Gregory S. Alexander (Cornell): Property’s Ends: The Publicness of Private Law Values. Lynda Lee Butler (William and Mary): The Resilience of Property. Robert C. Ellickson (Yale): The Affirmative Duties of Property Owners. Paul T. Babie (Adelaide): The Spatial: A Forgotten Dimension of Property; and Private Property in Post Secular Law: An Introductory Foray.

Paper Trail

On Tuesday the Guardian’s weekday paper launched a new longreads section, headed up by Jonathan Shainin, previously at the New Yorker. The “Journal,” as it is called, will include opinion and reviews together with features of three to five thousand words. Among the section’s first pieces is a profile of the Uruguayan president, José Mujica,



Michael Barron"Writing about music," the saying goes, "is like dancing about architecture." If it's meant to dissuade, the warning has gone unheeded: Over the years, a number of novels about music have ingeniously

Daily Review

Wolf in White Van

From an early age, Sean Phillips, the narrator of John Darnielle’s novel Wolf in White Van, has counted himself among a particular sect of “young men who need to escape.” Alone in his backyard in Southern California in the early ’80s, he pretended he was Conan the


Ben Lerner

10:04, Ben Lerner's ingenious new novel, is a Sebaldian book made from starkly American material. As in Sebald, time haunts 10:04's narrator, But instead of being haunted by an awful, crumbling past, la Austerlitz, the narrator of 10:04 is swamped by a rising simultaneity; by pasts, presents, and futures happening all at once.


On Karen Graham

Justin Vivian Bond

In the new essay collection Icon (edited by Amy Scholder; published by the Feminist Press), writers discuss their relationships with public figures that they've idolized, obsessed over, worried about, and been inspired by, Contributors include Mary Gaitskill (who pays homage to Linda Lovelace), Johanna Fateman (Andrea Dworkin), and Kate Zambreno (Kathy Acker), among others. The pieces vividly blend biography and autobiography, moving