Surveillance and digital privacy

Masa Galic, Tjerk Timan, and Bert-Jaap Koops (Tilburg): Bentham, Deleuze and Beyond: An Overview of Surveillance Theories from the Panopticon to Participation. Mary Anne Franks (Miami): Democratic Surveillance. Richard M. Re (UCLA): Imagining Perfect Surveillance. Valsamis Mitsilegas (Queen Mary): Surveillance and Digital Privacy in the Transatlantic "War on Terror": The Case for a Global Privacy Regime. Kirsten E. Martin (George Washington) and Helen Nissenbaum (NYU): Privacy of Public Data.

Paper Trail

At the New Yorker, Judith Thurman emails with Philip Roth about the similarities between the Trump presidency and the presidency of Charles Lindbergh, which Roth invented for his novel The Plot Against America. Roth writes that a Lindbergh presidency makes more sense than a Trump presidency: “Lindbergh, despite his Nazi sympathies and racist proclivities, was


Shock Waves: A Syllabus for the End Times

Fuck TheoryI'D LIKE TO START WITH A SIMPLE BUT EXPANSIVE ASSERTION: The fundamental epistemological problem of recent intellectual history has been the privileging of contradiction over contrariety. To put it

Daily Review

Two Days Down: A Dispatch from the Inauguration and Women’s March in DC

If the Republican National Convention—with its blood-chilling chants of “Lock her up!” reverberating off stadium ceilings, and vendors selling shirts reading “Trump That Bitch!” like hotcakes—was a revivalist megachurch concert from hell, Inauguration Day had the feeling of a quiet, solemn Easter Sunday. There were no chants, no celebratory posters. Trump supporters walked to the


Judith E. Stein

Judith E, Stein's book Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art examines the life of the art dealer who founded the fabled Green Gallery and was an early champion of artists including Mark di Suvero, Claes Oldenburg, James Rosenquist, and Donald Judd


On Intimate Geometries: The Art and Life of Louise Bourgeois by Robert Storr

Christopher Lyon, Linda Norden, Martha Schwendener, Léa Vuong, and Robert Storr

This 828-page tome on the art and life of Louise Bourgeois, who was born in 1911 and died in 2010, is the product of some thirty years of work. It comprehensively surveys Bourgeois's career as an artist, which spanned nearly seventy-five years, with more than nine hundred illustrations.