His Back Pages
For his new novel, Paul Auster recycles old characters. Are they worth bringing back?
Travels in the Scriptorium:
by Paul Auster
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Paul Auster should not exist. I say this not to mimic a sentence that might easily have been plucked from one of his own hall-of-mirrors fictions, but simply to note his singular position in contemporary American letters. He has enjoyed unlikely success by writing reflexive novels that take up notions of chance and fate, memory and oblivion, luck and the uncanny; given his self-referential leanings and taste for highbrow allusion, it might seem that he would at best have found a coterie of admirers and a university appointment to subsidize his writing. Instead, he has settled comfortably into a career as one of the most glamorous novelists in America. Abroad, he has even higher visibility, a genuine rock-star aura. Magazine profiles cite his movie-idol looks and general air of suave elegance, and although Park
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