Alex Ross’s library includes scores, writings by composers—and thirteen recordings of Salome.
If Alex Ross could get his hands on a time machine, he knows exactly where he’d go: 1920s Berlin. “Such an incredible period,” he says. “There was just so much going on.” He’d check out the Berlin Festival of 1929, featuring Wilhelm Furtwängler and Richard Strauss conducting, a gala performance with Toscanini at the baton, and Stravinsky at the piano playing his own work. He’d see Diaghilev’s Ballets Russes