• print • Feb/Mar 2013

    Space Trace

    In 1971, Conceptual artist Douglas Huebler announced his intention to “photographically document . . . the existence of everyone alive, in order to produce the most authentic and inclusive representation of the human species that may be assembled.” His Variable Piece #70 was, unsurprisingly, never completed, but Huebler’s comprehensive cataloguing impulse is telling: It speaks of a desire to map the contours of civilization, to capture and behold the mass of humanity. What do we, collectively, look like? And how do we depict ourselves to ourselves?

    Artist and geographer Trevor Paglen’s The

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  • review • January 31, 2013

    Swoon by Betsy Prioleau

    It’s a sad time to be heterosexual. Men are angry at women, women are angry at men, and nobody’s getting the type of action they want. But here comes a book to solve all that, to clear away confusion, restore male dynamism, and rekindle the spark of chemistry in straight mating. The jacket copy of cultural historian Betsy Prioleau’s Swoon promises to reveal “surprising seductive secrets” of the old masters in the interest of giving the beleaguered modern man a leg up on the nigh impossible task of wooing a modern woman. Subtitled “Great Seducers and Why Women Love” them, the book purports to

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  • excerpt • January 31, 2013

    "Letters to Madeleine" by Guillaume Apollinaire

    Perhaps the most famous single line in Guillaume Apollinaire’s body of work is the opening declaration of his 1912 poem “Zone:” “You’re tired of this old world at last.” “Zone” heralds modernity—with its urban setting, its montage of images (the Eiffel Tower, billboards, a “ghetto clock running backwards”), and its jump cuts through time and space. The poem marks a transition between the lyricism of a prior generation of French verse and changing ways of seeing and imagining fostered by the proliferation of new technologies of speed and mechanization. And yet, for all his weariness of the old

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  • review • January 30, 2013

    Stories from Jonestown by Leigh Fondakowski

    On November 18, 1978, more than nine hundred members of Peoples Temple church died in a mass suicide-murder in Jonestown, Guyana. It was a horrific epilogue to the dream of building a socialist utopia in the South American jungle. Jim Jones, the Temple’s charismatic leader, had promised his flock deliverance from America's ills: racism, sexism, capitalism, and economic burnout. Instead, he controlled his city like a police state, enforcing a paranoid regimen of loyalty oaths, suicide drills, and brainwashing. His drug-fueled sermons, beginning in the evening and lasting until 2 or 3 AM, spelled

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  • review • January 29, 2013

    The Love Song of Jonny Valentine by Teddy Wayne

    “An old soul is the last thing you would expect to find inside Justin Bieber,” an old entry on his Web site says. “But all it takes is one listen to the 15-year-old soul-singing phenomenon to realize that he is light years ahead of his manufactured pop peers.” Mr. Bieber, now 18 and as big a pop star as ever, is the model for the 11-year-old with an old soul in Teddy Wayne’s sad-funny, sometimes cutting new novel, The Love Song of Jonny Valentine.

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  • review • January 28, 2013

    The Interface Effect by Alexander Galloway

    For many Americans, a great deal of contemporary life is mediated by interfaces, including laptop, smartphone, and television screens. That this perpetual mediation so often goes unexamined speaks to the importance of Alexander R. Galloway’s new monograph The Interface Effect. Galloway’s ambitious book aspires to be not only a theory of interfaces but also a broader rethinking of the field of “new media studies,” an academic discipline with precursors in the media theories of Marshall McLuhan and Raymond Williams in the 1960s that emerged properly with scholarship produced alongside the rise

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  • review • January 25, 2013

    Declaring His Genius: Oscar Wilde in North America by Roy Morris Jr.

    Oscar Wilde is famous for having found the Atlantic Ocean a bit of a letdown. "The roaring ocean does not roar," he observed in 1882. But he would face tumult soon enough. Wilde was just twenty-seven, and about to embark on a year-long lecture tour of the United States that would throw him together with miners and socialites, undergraduates and poets, and set the ocean of the world roaring around him. He was young, dandiacal, theatrical, publicity-seeking—ridiculed and lionized on both sides of the Atlantic. In years to come he would glitter with fame and accomplishment, yet he would also be

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  • review • January 24, 2013

    Louise Glück’s Metamorphoses

    Poetry has always been the handmaiden of ­mythology, and vice versa. Sometimes poets are in the business of collecting and tweaking existing myths, as with Ovid’s “Metamorphoses” and the Poetic Edda. Other times poetry applies a mythological glamour to stories and characters from history, legend or even other myths (the hero of the “Aeneid” is a minor character from the “Iliad”). Then there are poets who equate the idea of myth with the supposedly irrational essence of poetry itself. Here is Robert Graves in 1948: “No poet can hope to understand the nature of poetry unless he has had a vision

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  • review • January 23, 2013

    Spreadeagle by Kevin Killian

    Kevin Killian is one of America’s great eccentrics, a stylist with so much pizazz that perhaps it's inevitable he has been punished with under-recognition. His sentences are suffused with a folksiness that reminds one of the great southern writers, though his books are usually set in the California he has called home for the past several decades. In his latest novel, Spreadeagle, one of his characters relays the following: “‘Dogs and cats got two things in common,’ my mother used to say, ‘and one of them ain’t fit to mention.’ That always made me feel uncomfortable. I didn’t even know what the

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  • review • January 22, 2013

    Going Clear Lawrence Wright’s Book on Scientology

    That crunching sound you hear is Lawrence Wright bending over backward to be fair to Scientology. Every deceptive comparison with Mormonism and other religions is given a respectful hearing. Every ludicrous bit of church dogma is served up deadpan. This makes the book’s indictment that much more powerful. Open almost any page at random. That tape of L. Ron Hubbard, Scientology’s founder, that Wright quotes from? “It was a part of a lecture Hubbard gave in 1963, in which he talked about the between-lives period, when thetans are transported to Venus to have their memories erased.”

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  • review • January 18, 2013

    Elena Ferrante on the Verge

    Elena Ferrante, or “Elena Ferrante,” is one of Italy’s best-known least-known contemporary writers. She is the author of several remarkable, lucid, austerely honest novels, the most celebrated of which is The Days of Abandonment, published in Italy in 2002. Compared with Ferrante, Thomas Pynchon is a publicity profligate.

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  • review • January 15, 2013

    Revolution Come and Gone: On K Records by Mark Baumgarten

    In the form of a prominent tattoo on Kurt Cobain’s arm, the logo of K Records — a hand-inked logo around a capital K — has entered musical and cultural history, though largely as a footnote to grunge. There have been previous attempts to tell the story of the Olympia, Washington–based independent label in its own right: Heather Rose Dominic’s documentary feature The Shield Around the K appeared in 2000, and Michael Azzerrad’s Our Band Could Be Your Life, which concluded with a chapter on K’s flagship band Beat Happening, followed in 2002. Despite such efforts, both the label and the Pacific

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