• review • September 04, 2012

    Born with a Junk Food Deficiency by Martha Rosenberg

    "Prescription drugs kill more people a year than traffic accidents – and that doesn’t count traffic accidents caused by prescription drugs” writes Martha Rosenberg, a cartoonist and freelance writer. Her Born with a Junk Food Deficiency follows the grand tradition of American muck-raking, which goes back at least as far as Upton Sinclair’s novel The Jungle, published in 1906, which exposed the horrors in the slaughterhouses of Chicago: sausage containing rat dung and mould, and workers who fell into vats of lard and were never fully retrieved.

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  • print • Sept/Oct/Nov 2012

    Forty-Four Candles

    “How did you manage to get hotter with age?” asked a member of Reddit of Molly Ringwald earlier this year. “I drink the blood of Kristen Stewart,” Ringwald typed in reply. You could practically hear the applause.

    Ringwald was doing an AMA on Reddit, the most voguish current way to promote an enterprise or identity. For the uninitiated, it stands for “Ask Me Anything,” and is usually preceded by “I Am X,” as in, “IAmA employee for the most contaminated nuclear site in the US AMA” and “I’m Woody Harrelson, AMA,” which was the most awful interaction of baffled film star and enraged audience, a

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  • print • Sept/Oct/Nov 2012

    Fifty Shades of Beige

    The amateur writer of women’s erotica may be forgiven for thinking, as she pushes her manuscript upon Siren Publishing, Ellora’s Cave, and Carnal Desires, that she has finally entered a freewheeling realm of sexual exploration, an oasis of untrammeled erotic fantasy. She may continue under this impression as she scans the retail horizon, landing upon titles like Tall, Dark and Dominant, Male Android Companion, Two Men in Her Tub. But she is bound to be disabused when she stumbles upon the Guidelines for Submission, written always in that tone of world-weary prophylactic disappointment, and

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  • print • Sept/Oct/Nov 2012

    Cooking with Sass

    “The office can be a cold and lonely place.” So say the authors of CookFight: 2 Cooks, 12 Challenges, 125 Recipes, an Epic Battle for Kitchen Dominance (Ecco, $30). That they happen to be Julia Moskin and Kim Severson, food writers for the New York Times (Severson is now the paper’s bureau chief in Atlanta, but she manages to squeeze in plenty of pieces about southern cuisine while reporting on other equally critical regional issues), makes this declaration perhaps more noteworthy than it might otherwise be. If you’re anything like me, you imagine the life of a full-time food writer at one of

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  • print • Sept/Oct/Nov 2012

    Sisterhood Is Hilarious

    Women aren’t any less funny than men, but they are more sensitive to environmental cues. Where funny men might share an impressive ability to complete that imitation of a dog in heat or an anesthesia-free bowel resection whether they’re greeted with weak smiles, nervous titters, or visible agitation, funny women are less likely to press the point. This attunement to psychosocial feedback, usually interpreted as a lack of conviction or commitment (or, if you prefer, cojones), might better be greeted as a sign of robust mental health. Still, this perceptual gap in what counts as truly laugh-worthy—which

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  • print • Sept/Oct/Nov 2012

    The Divorce Plot

    Thirteen years ago I wrote about Intimacy, Hanif Kureishi’s gritty divorce novel/memoir, and gratuitously (certainly a little too vigorously) contrasted it to the other popular divorce memoir on the shelves then, Breakup by Catherine Texier. Kureishi’s book was raw, impeccable, fearless. Texier’s book was a catharsis, uncouth, a cry of pain. Now that I have some divorce of my own under my belt, I have a clearer understanding of the divergent approaches. Divorce—or rather its particular combination of grief, agony, fear, and shame—is word chaos. It hurls writers back into the primordial ooze.

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  • review • August 30, 2012

    The Last Bohemia: Scenes from the Life of Williamsburg by Robert Anasi

    Bohemia, as we know, is the definitive post-industrial industry. It germinated locally in New York's West Village in the 50s and 60s, was unleashed as a productive force by the rezoning of SoHo in the 70s, and then swept through the Village, Alphabet City and Williamsburg in the 80s and 90s. A global pattern, this steady advance of a middle-class avant-garde has transformed cities nationwide. Horrified by the rural and disaffected towards suburbia, these pilgrims’ capacity to capitalize on urban decay is what accounts for their relative freedom. More to the point, they love to write about it.

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  • review • August 29, 2012

    New Ways to Kill Your Mother by Colm Tóibín

    Colm Tóibín is a member of a small club of nearly household-name book reviewers. Of these, each is recognized for a distinctive approach. Daniel Mendelsohn is praised for his loping, rueful analyses of contemporary culture. James Wood and Martin Amis are famous for their close readings, with Amis being more insistent on the importance of the cleverly constructed sentence. Jenny Diski is renowned for taking down intellectual imposters, and Zadie Smith makes her arguments about aesthetics seem urgent and personal.

    Tóibín is unique for his studied remove and biographical focus. His reviews are

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  • review • August 24, 2012

    Say Nice Things About Detroit by Scott Lasser

    To most of the country, Detroit is characterized more by the people who left than by those who stayed. Detroiters like to joke that everyone returns eventually, but over the past fifty years, the city's population has lost more than a million people, leaving it at a third of what it was at its peak at the end of the 1950s. Detroit is in a constant state of physical flux: At any point, that house on the corner might become a victim of the arson that is as ubiquitous in the city as Ford sedans and GM trucks. A local who returns after spending even a few months away is left feeling like a foreigner,

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  • review • August 24, 2012

    Snowflakes/Different Streets by Eileen Myles

    I feel I need to forget what I know about Eileen Myles in order to review her new book of poems, Snowflake/Different Streets. In 2012 it’s almost impossible to separate the experience of reading her books from the popular mythology that derives from her career as East Village bon vivant, openly female write-in candidate for president, and feminist lesbian icon. This is, of course, the problem with fame, even of the underground sort — it mediates our experience of an artist’s work, which is always already saturated with what we know about them.

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  • excerpt • August 23, 2012

    A Reader's Guide to Toyko Bookstores

    Think Tokyo and you think bright lights, busy streets, and technology so ubiquitous that you can buy bananas out of a vending machine. And all those things are there. But even though iPads and e-readers are everywhere, Tokyo is still a great city for readers partial to paper and ink. The city’s students and artists contribute to a thriving free-zine scene, and its bookstores stock everything from vintage American magazines to the latest New York Times bestsellers.

    Even in Shibuya, the bustling shopping district largely dedicated to the latest technology and cutting-edge fashion, carefully

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  • review • August 23, 2012

    The Chemistry of Tears by Peter Carey

    Peter Carey is an astonishing capturer of likenesses—not only in the sense of the portrait (the “good likeness”), but of the teeming similitudes with which a sharp eye and a rich memory discern and describe the world. Simile and metaphor, which are at the heart of poetry, are a less certain presence in prose fiction, in some novelists barely deployed at all, but in Dickens, for instance (with whom Carey is repeatedly compared), they are vital and unresting elements of the novelist’s vision.

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