When Gloria Emerson's sprawling portrait of the United States in the wake of the Vietnam War was first published, it was hailed as a classic. But it also inspired some strikingly hostile reviews. This vastly polarized response would suggest that one of Emerson's major arguments—she insisted, in despair and disgust, that the Vietnam War had made no significant impact on America or Americans—might itself be wrong.
It is both reassuring and unnerving to recall the Cold War as conducted with books rather than tanks. Both the CIA and the KGB implicitly endorsed Maxim Gorky's proclamation that "books are the most important and most powerful weapons in socialist culture."
Within days of the publication of No Place to Hide, a photograph began circulating on the Internet that showed National Security Agency operatives surreptitiously implanting a surveillance device on an intercepted computer. After nearly a year of revelations about the reach of the NSA, this photo
How do we define the corruption that money brings to our politics? It's easy to be vaguely concerned about "money in politics" in the dollar-saturated public sphere that's risen up following 2010's Citizens United and subsequent federal-court decisions. But the "corruption" that's taking place now isn't as simple as some would make it seem, and its complexity contributes directly to its power and endurance.
Everything Pasolini did, he did as a poet. But what was it, precisely, that Pasolini did? What Pasolini was thinking about is what now makes him seem—like so many products of the radical '60s and '70s—slightly dusty, as if from a time capsule. The deep aim of all his writing was as messy and outdated as utopia.
William Tecumseh Sherman has always been known as an odd duck: depressive, erratic, prone to fits of mania and abiding personal grudges. He also married his sister, or at least his foster sister, though he passed their long periods of duty-related separation with whatever women were locally available. A new biography by the respected military-history writer Robert L. O'Connell revisits this well-known story, telling it again.
If I chose to look at my life through a particularly self-critical lens, my personal narrative would boil down to the story of a woman who spent her entire adulthood trying to get good at something, anything. Beginning in my twenties and with no noticeable talent besides writing, I took classes in a string of leisure-time activities that I hoped would turn into something to love.
Ruben Castaneda may be the nicest crack addict in the history of the drug. His worst transgression seems to be missing his brother's wedding-rehearsal dinner. He also, in the grips of his disease, began to call people near and far saying he'd lost his wallet, and showed up for work disheveled and reeking of booze.
Emily Gould bolted to local media fame seven years ago as a Gawker blogger. She wrote scathing posts about writers, celebrities, and anyone else who happened to come in for online scrutiny on a given day. She was funny. She was reckless. She was really good at being really mean. She was twentysomething and photogenic, and when she appeared on CNN, Jimmy Kimmel told her she had a decent chance of going to hell.