Mario Vargas Llosa fictionalizes the life of a conflicted liberator
El Sueno del Celta / The Dream of the Celt (Spanish Edition)
by Mario Vargas Llosa
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Those who wish to see politics in everything frequently get their wish. The selection of a Nobel laureate in literature is a case in point. In 2001, the choice of V. S. Naipaul looked to some like a post-9/11 gesture of sympathy with America—even an endorsement of America's incipient military rebukes to Islamism. Four years later, awarding the anti-American Harold Pinter looked like a rebuke to the American rebuke. And last year's selection, the Peruvian writer Mario Vargas Llosa, looks like the most overtly political winner in the past three decades.
The attention garnered by other laureates for their politics has been, by and large, a byproduct of their writing. This is true of Pinter as well as of Gabriel García Márquez (a "courtesan of Castro," Vargas Llosa once called him). But for Vargas Llosa, politics
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