Elvia Wilk

  • Culture October 29, 2024

    “WOULDN’T YOU LIKE TO BE LIFTED UP and out of yourself into a sheer feeling of aliveness?” Could you use “some relief from misery, from melancholy”? Are you seeking a way to feel less “anxious, wretched, bored”? No, nobody is asking you to pay for Transcendental Meditation, cognitive behavioral therapy, or a detox diet. Perhaps, […]
  • Fiction August 1, 2024

    BEFORE READING GABRIEL SMITH’S DEBUT NOVEL BRAT, I did the normal thing and googled him. I thought I remembered seeing his name on my Twitter feed: in February, Smith had posted a screenshot of a hoax email from Charli XCX, in which she divulged that she was “a HUGE fan” of his writing and asked […]
  • *Marlon James, 2021.* Mark Seliger
    Interviews March 1, 2022

    ELVIA WILK: I wanted to tell you that I had a dream in the Dark Star universe last night.
  • *Jill Mulleady, _No Hope No Fear,_ 2016,* oil on linen, 22 × 32 1⁄2". Courtesy the artist and Freedman Fitzpatrick, Los Angeles/Paris
    Culture May 25, 2020

    IN 1974 DORIS LESSING PUBLISHED MEMOIRS OF A SURVIVOR, a postapocalyptic novel narrated by an unnamed woman, almost entirely from inside her ground-floor apartment in an English suburb. In a state of suspended disbelief and detachment, the woman describes the events happening outside her window as society slowly collapses, intermittently dissociating from reality and lapsing into dream states. At first, the basic utilities begin to cut out, then the food supply runs short. Suddenly, rats are everywhere. Roving groups from neighboring areas pass through the yard, ostensibly escaping even worse living conditions and heading somewhere they imagine will be better.
  • Cover of Infinite Detail: A Novel
    Fiction January 1, 1

    In his recent book New Dark Age, James Bridle describes the current internet era as one of draconian, top-down control. Blind belief in computation has led to a disastrous imbalance of power, networked technology is being weaponized for mass surveillance, and algorithmic governance is sapping political agency from citizens. Tim Maughan’s novel Infinite Detail takes up Bridle’s thesis by imagining its antithesis: What if the internet kill switch were flipped? Assuming networked technology is the primary enabler of our ongoing political nightmare, what would happen if it just—shut off? As it turns out, Maughan’s imagined result is no Luddite utopia.