Hilary Leichter
Xuan Juliana Wang. Photo: Ye Rin Mok “I wanted to evoke a certain kind of life that would be worthy of future nostalgia.” That’s a line from Xuan Juliana Wang’s story “The Art of Straying Off Course,” but it is also a way of reading all twelve stories in Home Remedies, her debut collection about Chinese millennials and their families. The book is a meditation on the nature of home, and how everything from immigration to the forward march of time precludes the possibility of ever returning there. In “The Art of Straying Off Course,” the narrator also says, 
Sam Lipsyte. Photo: Robert Reynolds Anyone familiar with Sam Lipsyte’s work knows to expect somersaults of sentences, language twisted line after line into laugh-inducing poses. In his new novel, Hark, those poses have names: “Ithaka, Persian Rain, Moonlight Diana Number Three, Wheel of Tartars.” But this isn’t pilates—it’s a form of self-actualization called “mental archery,” propagated by a man named Hark Morner. The book is more than the story of Hark’s followers—it’s an expansive look at the search for meaning and progress in a crumbling world, full of ineffectual leaders and full of itself. It would be easy to