Janine Armin
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Adding to his mind-altering oeuvre, which already includes poems, a novel, and works of criticism on subjects like Andy Warhol, Jackie O, and gay men’s penchant for opera, Wayne Koestenbaum delivers a coup d’état with Hotel Theory, a palimpsest of postmodern detritus presented in two parallel texts. On the left side of the page, “Hotel Theory,” Koestenbaum’s phenomenological study of hotels, provides the mental framework for the reader to act as a Bachelardian cosmonaut in the Lana Turner and Liberace dime novel “Hotel Women” on the right. Hotel Theory showcases Koestenbaum’s inflections via innumerable analogies to literature and art, and -
In 1982, smack in the middle of cold-war angst, Semiotext(e) founder Sylvère Lotringer interviewed architect and philosopher Paul Virilio about nuclear war and technology. Their densely layered dialogue was published the following year as Pure War, which introduced Virilio’s thinking to the United States. Last year, the pair met to reevaluate their earlier arguments, and the reissue of Pure War includes this new conversation and a fresh introduction.