In Murals of New York City, all of the Big Apple’s bygone eras seem to blend together. On the walls of Neoclassical courthouses and Art Deco airports, hallowed hotel bars and brick borough halls, we see the Rockefellers and Roosevelts still running things, and the Astaires, the Barrymores, and the Fitzgeralds forever flitting around. People smoked in restaurants, and artists—apparently—had studios in the attic of Grand Central Terminal. Graffiti didn’t yet have a name. The New School was still new, as was the New Deal. The Works Progress Administration paid for everything. It’s the Gilded Age, and the Jazz one,