Kevin Killian
The recent publication of Nabokov’s index cards in The Original of Laura made me consider the fate of similar projects during the past few centuries. It’s striking how often we novelists are struck down in the middle of writing our weakest work—and yet these novels intrigue because, if only the writer had lived, the book might have really “come together.” As my days dwindle down, I contemplate writing chunks of say, four or five different novels: That’ll make them miss me when I’m gone! And yet what self-respecting writer doesn’t have those four or five novels already, in some drawer