Richard Wolin
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During the 2003 Adorno centenary, something remarkable happened in Germany. The entire nation reached out to embrace this renegade Marxist philosopher in ways that were truly surprising. Throughout the country, Adorno “festivals” took place—apotheoses of the public celebrations advocated in Rousseauesque “civil religion.” In Frankfurt-am-Main, where Adorno taught and where he remains something of a legend, there is now an Adorno-Platz that features, instead of the customary bust, his writing desk, bizarrely encased in glass. A plethora of public exhibitions tracing his life and thought were mounted. Concerts featuring his musical compositions—most of which resemble Vienna School pastiches—were widely staged