Siobhan Phillips

  • *Arthur Mitchell and Diana Adams in a pose from George Balanchine's _Agon_, New York, 1957.* Martha Swope/Billy Rose Theatre Division, The New York Public Library
    Culture November 29, 2022

    A QUICK GLANCE at the facts of George Balanchine’s life suggests that he was destined to be a great choreographer. Born in 1904, he studied at what was then the most important ballet academy in the world, the Imperial Theater School in St. Petersburg; in the ’20s, he made dances in Europe for what was then the most important company in the world, Diaghilev’s Ballets Russes; by midcentury, in the United States and with his own troupe, he would finish creating what is still probably the most important choreographic canon in the world, Balanchine’s ballets. But Jennifer Homans’s new biography shakes