Tim Jeal
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The focus of Peter Beard’s unforgettably illustrated The End of the Game is the damage done by big-game hunting and the incursion of railways to wildlife and indigenous culture in early-twentieth-century Kenya. “The deeper [the white man] went into Africa,” Beard writes, “the faster the life flowed out of it, off the plains and out of the bush and into the cities, vanishing in acres of trophies and hides and carcasses.” This is very well put, but Beard’s chosen generation of white settlers was not wholly responsible, instead merely accelerating a process that had started centuries earlier, when Europeans and