• print • Apr/May 2006

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  • print • Sept/Oct/Nov 2007

    The fictional universe of Zakes Mda is no place for the cold rationalist. In six novels, the fifty-eight-yearold writer whom the New York Times recently hailed as “one of the most prominent black novelists in South African history” has demonstrated an abiding attachment to the seemingly ludicrous. In fact, his love of the improbable is so pervasive that some readers have mistaken it for an embrace of superstition. Novelist Norman Rush, perhaps his fiercest critic, castigated him in the New York Review of Books for leaving such realities as AIDS unaddressed, saying that The Heart of Redness (2002) is an

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  • print • Sept/Oct/Nov 2007

    Culo. Coño. Puta. Mariconcito. Coje that fea y metéselo! The number of obscenities that appear within the first twenty-five pages of Junot Díaz’s second book, The Brief Wondrous Life of Oscar Wao, makes it abundantly clear that he’s not writing for Oprah’s Book Club. At the very least, Winfrey would have to bone up on her four-letter Spanish before she could rubberstamp this book, because more than any other author writing today, Díaz sings straight to the heart of urban Spanglish, and he’s not waiting for outsiders to catch up. His Spanish is untranslated, as is his freestyle hip-hop slang.

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  • print • Sept/Oct/Nov 2007

    For thirty years, and with an admirable measure of tenacity and audacity, the poet Susan Howe has reanimated the lives of wayward pilgrims whose violent experiences of exile in spiritual wildernesses culminate in moments of searing revelation or sadistic repression. Her 1985 prose masterwork My Emily Dickinson (published first by North Atlantic Books and reissued this fall in a handsome new edition) depicts the poet and intellectual as the ultimate wayward pilgrim who rebelled against New England’s sin-obsessed Calvinism and attained a fierce aesthetic and spiritual sovereignty, only to have her achievement betrayed by editors who bowdlerized her manuscripts and

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  • print • Sept/Oct/Nov 2007

    In the well-off northeastern suburb of Stonewood Heights, Ruth Ramsey is the high school Health & Family Life—that is, sex-ed—teacher. Her job is to shepherd the enclave’s adolescents on their glide path from affluent school to prestigious college free of pregnancy and STDs, by educating them in the ways of safe sex. Or at least it was, until members of a new fundamentalist church, the Tabernacle of the Gospel Truth, accuse her of advocating oral sex after she remarks in class that “some people enjoy it.” Embarrassed in the media and threatened with a lawsuit, the school district announces that

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