Delphine Seyrig in Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. Janus Films Sight and Sound’s decennial ranking of the greatest films of all time has been updated from a new poll of 1,639 film critics, curators, academics, archivists, and programmers. The last time the rankings were published, in 2012, Hitchcock’s Vertigo (1958) topped the list. This year, that spot was usurped by Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975).  Maria Dimitrova interviews Elif Batuman, the author most recently of Either/Or, for the Paris Review’s online edition. They discuss Batuman’s crisis of faith in the

The comics artist Aline Kominsky-Crumb has died at age seventy-four. Beginning in the early 1970s, Kominsky-Crumb pioneered an unfiltered and personal style that pushed the boundaries of what was acceptable to depict in art. Kominsky-Crumb frequently collaborated with her husband, Robert Crumb, over the years, and the couple also made work with their daughter, Sophie. The family were recently featured in a joint exhibition at David Zwirner gallery in Paris. In February of this year, Kominsky-Crumb told Sarah Moroz in Artforum: “I’m not a facile artist, I’m a tortured artist. I don’t censor myself at all: The story comes

Harmony Holiday Bookforum contributor Harmony Holiday discusses her latest poetry book, an epic called Maafa, with Sandra Simonds for the Bennington Review: “Epic heroes tend to be sovereign, and with that jurisdiction over themselves even their perceived mistakes are glorious points of adventure and faith. I want that for Black female archetypes, who I refer to in my mind as ‘Black romantic leads’ sometimes. I want romance for us.” At The Baffler, Lucy Ives theorizes “the weak novel.” For Ives, “weakness is not a bad thing. Rather, weakness, specifically literary weakness, is enlivening, challenging, and generally has the effect

Nadja Spiegelman Astra, the international literary biannual magazine edited by Nadja Spiegelman, has announced that it will close by the end of 2022. “Our parent company, APH, has decided to shut down Astra Magazine,” Astra staff members write in a statement. “This means we will not put out the third issue we were in the midst of preparing, the website will stop publishing new work, and the staff will be let go.” The announcement continues: “We’re extremely proud of the work we published in print and online in such a short time. The magazine succeeded by every measure we

Eileen Myles. Photo: Shae Detar The New York Times has compiled an interactive list of “100 Notable Books of 2022,” which includes James Hannaham’s Didn’t Nobody Give a Shit What Happened to Carlotta, Gary Indiana’s Fire Season, Namwali Serpell’s The Furrows, and many more.  “Now comes a coincidence.” Read a new short story by Danielle Dutton in the latest New Yorker. Critic and scholar of the history of poetics Kamran Javadizadeh is launching a podcast, Close Readings, in which he will host guests to discuss one of their favorite poems.  At The Guardian, journalist Shiva Akhavan Rad talks to

Octavia E. Butler. Photo: Ching-Ming Cheung At Jacobin, Neil Vallelly writes about the human-rights violations behind the 2022 World Cup in Qatar and reflects on the shortcomings in how those abuses are talked about in the media and larger society: “Appeals to end human rights violations in Qatar focus on the instances of repression without reflecting on the structural causes of that repression.” At Vanity Fair, Tom Kludt writes about the challenges journalists face in covering the tournament. Kludt observes that “in Qatar, the controversy will never be far removed from the competition itself.”  The Athletic has had extensive

James Hannaham (photo: Isaac Fitzgerald) The New York Times reports that Penguin Random House’s deal to buy Simon Schuster for $2.175 billion “is close to collapsing after Simon Schuster’s parent company decided to allow the purchase agreement to expire.” The deal already faced a serious setback last month when a federal judge halted the sale on antitrust grounds.  New Yorker contributor Keeanga-Yamahtta Taylor and Jen Parker are creating a new magazine, Hammer Hope, which will focus on Black politics and culture. From the publication’s Twitter page: “For those who care about the Black freedom struggle – the sign up

Katherine Rundell. Photo: Nina Subin/Bloomsbury  Olúfẹ́mi O. Táíwò, author of Elite Capture and Reconsidering Reparations, has sold his next book to Farrar, Straus and Giroux. Autobiography will draw on “thinkers and activists from the Black radical tradition, anti-colonial and environmental movements and the history of philosophy” to explore the idea of political freedom.  Katherine Rundell has won this year’s Baillie Gifford Prize for Nonfiction for Super-Infinite, her biography of John Donne. According to the judges chair, the decision was unanimous.  n+1 is running a series of tributes to Mike Davis, the scholar and activist who died in October. “Repetitious

Imani Perry The 2022 National Book Awards were announced last night in New York. The winners include Tess Gunty in fiction, Imani Perry in nonfiction, John Keene in poetry, and Samanta Schweblin and Megan McDowell in translated literature.   Steven Ginsberg, a former Washington Post editor, has been named the executive editor of The Athletic. The sports media company, which is said to have more than one million paid subscribers, was purchased by the New York Times in January.   The socialist feminist magazine Lux has posted its advice column from issue five, with tips for political organizing from Combahee

Sheila Heti. Photo: Yael Malka This week, the Paris Review is posting a five-part series of Sheila Heti’s exchanges with an AI chatbot named Eliza. At one point in today’s installment, Heti asks Eliza if they will die together, and the bot replies: “Of course. We’re in love. If one person dies first, then they go to heaven with their partner. If neither of us dies first, then we will live forever together.” At The Point, literary editor John Michael Colón introduces the two novel excerpts that appear in the latest issue of the magazine. Bárbara Jacobs’s Days of

Thomas Beller The National Book Awards will be announced in a ceremony in New York tomorrow night (Wednesday) at 8pm EST. The event, hosted by Padma Lakshmi, will be streamed online.  For the Baffler, Hannah Gold reports from a gallery preview of the Joan Didion auction, which will go live tomorrow at 11am. Gold writes, “For those of us without thousands to spend on blank notebooks or hurricane lamps, there is hope for an encounter with Didion: the auction is, of course, for items culled from the second pass of the apartment; the materials that best capture her reading,

Ariana Reines The BBC is turning Douglas Stuart’s Booker Prize-winning novel Shuggie Bain into a TV series.  At Harper’s Magazine, poet and critic Michael Robbins writes about the end of the world, and Sasha Frere-Jones reports on the obsessive quests and technologies of audiophiles. Willa Glickman interviews historian and critic Brenda Wineapple: “To me, it’s always seemed that you can’t clearly or cleanly divide history from literature or literature from history. We live in time; our lives unfold in time and are largely determined by time. So when writing, I try to consider how someone grasped the historical moment

David Treuer. Photo: Nisreen Breek For the New Yorker, David Treuer writes about Pekka Hämäläinen’s new book Indigenous Continent, which “boldly sets out a counternarrative” to the idea that Indigenous history in the United States can be defined by “a litany of abuses . . . that had erased our way of life.” Treuer summarizes Hämäläinen’s position: “In his view, we should speak not of ‘colonial America’ but of ‘an Indigenous America that was only slowly and unevenly becoming colonial,’ and recognize that the central reality of the period was ongoing Indigenous resistance.”  Bookforum contributor Cord Jefferson’s adaptation of

Ryan Ruby Workers at HarperCollins are on strike and picketing the publisher’s offices in New York. HarperCollins union member Rachel Kambury tweeted a thread explaining the reasons for the strike and the union’s vision for workers at the company: “Let me reassure you that a strike isn’t something any of us union members are choosing to do lightly. This is our backed-into-a-corner, last-ditch-attempt to end a management-imposed stalemate and reach a deal that is meaningfully beneficial.” Elon Musk has emailed the company’s staff for the first time since his takeover, ending remote work and “days of rest,” and telling

R. O. Kwon. Photo: Smeeta Mahanti  On November 14, the National Book Critics Circle will host a panel on the craft of criticism by discussing four reviews of Margo Jefferson’s latest memoir, Constructing a Nervous System, with their authors. Critic and filmmaker Blair McClendon, who reviewed the book for Bookforum, is among the panelists.  For Parapraxis magazine, Maggie Doherty considers Emily Ogden’s new book of essays, On Not Knowing: How to Love and Other Essays. The book’s concern with care, Doherty writes, is “both interpersonal—how a parent cares for a child, how a therapist cares for a patient—and literary-critical: how

Annie Ernaux. Photo Catherine Hélie, Gallimard. Andrea Long Chu writes about the children’s book The Velveteen Rabbit as it reaches the one-hundredth anniversary of its publication. Writing that the author, Margery Williams Bianco, had something more philosophical in mind  than standard children’s fare, Long Chu writes, “The philosophical character of The Velveteen Rabbit, whose subtitle is How Toys Become Real, reflected Bianco’s abiding interest in the relationship between reality and the imagination.” The week’s New Yorker has a newly translated story by 2022 Nobel winner Annie Ernaux.   In her Substack newsletter, Not the Fun Kind, Moira Donegan considers the

Catherine Lacey. Photo: Willy Somma Catherine Lacey’s novel The Answers has been adapted for TV by Mother! director Darren Aronofsky, Sorry for Your Loss creator Kit Steinkellner, and Dopesick creator Danny Strong. Gillian Robespierre (A Teacher) will direct. The series has been commissioned by FX. On The Last Thing I Saw podcast, host Nicolas Rapold talks with critic Christian Lorentzen about director Noah Baumbach’s adaptation of Don DeLillo’s White Noise. At The Atlantic, Jennifer Wilson reviews Percival Everett’s new spy novel Dr. No, “an experimental work of genre fiction nestled within a distinctly African American revenge tale.” The New

Joan Didion. Photo: Julian Wasser Brigitte Giraud has won the Goncourt Prize, France’s highest literary honor, for her book Vivre Vite (Living Fast). On November 16, property from the estate of Joan Didion will be auctioned off. You can peruse the auction catalogue—which includes listings such as “Group of five books about California” or “Group of thirteen blank notebooks”—online.  At Twitter, Elon Musk has begun laying off a reported 7,500 employees. On the site, former employees are sharing their stories and sending messages of support using the hashtag #OneTeam.    At the New Yorker, Kyle Chayka points out that “Twitter

Saidiya Hartman. Photo: © John D. and Catherine T. MacArthur Foundation For The Nation, Elias Rodriques interviews Saidiya Hartman on the occasion of the twenty-fifth anniversary republication of her book Scenes of Subjection. Hartman discusses her unexpected path to writing the book: “I started out writing a dissertation on the blues. To understand that substrate of Black life, I began to research slavery. To my eyes, it was impossible to make sense of the structural logic and foundational character of racism without reckoning with slavery.” At the New Yorker, you can read an adapted version of Keeanga Yamahtta-Taylor’s foreword

László Krasznahorkai. Photo: Nina Subin/New Directions The new issue of The Drift is online now, with Malcolm Harris on “ethical consumption under capitalism,” Tarpley Hitt on Hunter Biden, Noor Quasim on Annie Ernaux and “the millennial sex novel,” fiction by Percival Everett and others, an interview with Barbara Kruger, dispatches on the climate movement, and more.  For Astra magazine, Jared Marcel Pollen writes about two new books—Spadework for a Palace and A Mountain to the North, a Lake to the South, Paths to the West, a River to the East—by the Hungarian novelist László Krasznahorkai. Pollen compares Krasznahorkai’s work