COLUMNS
Kaddish (For an Architecture Not Born)
SANFORD KWINTER on Peter Eisenman’s Giuseppe Terragni: Transformations, Decompositions, Critiques
Back to the Future
YVE-ALAIN BOIS on the new Malevich
Danish Modern
HEATHER CALDWELL on the stories of Hans Christian Andersen
BETWEEN THE LINES David Farber on the New Left’s legacy in biography and autobiography
Andrew Ross: Weather Report
Jeffrey Mehlman on Régis Debray
ART INK Michael Wilson on The Paper Sculpture Book
LUXURY AND DEGRADATION Rhonda Lieberman on Elizabeth Förster-Nietzsche
JAMES GIBBONS on Basil Bunting’s Complete Poems
ROBERT GLÜCK on Gail Scott’s My Paris
JAY CANTOR on John Updike’s The Early Stories, 1953-1975
JOHN PALATTELLA on Henry Dumas’s Echo Tree
CRAIG SELIGMAN on Christopher Isherwood’s Where Joy Resides and The Condor and the Cows: A South American Travel-Diary
GEOFF NICHOLSON on Jim Crace’s Genesis
KAREN KARBO on Stuart Dybek’s I Sailed with Magellan
VINCE PASSARO on Martin Amis’s Yellow Dog
PETER TRACHTENBERG on Dale Peck’s What We Lost
RICK MOODY on J.M. Coetzee’s Elizabeth Costello
RICHARD SIEBURTH on Victor Segalen’s René Leys
MARK DERY on Troy Paiva’s Lost America: The Abandoned Roadside West and Clive Piercy’s Pretty Vacant: The Los Angeles Dingbat Observed
MATTHEW PRICE on Victor Serge’s The Case of Comrade Tulayev and Susan Weissman’s Victor Serge: The Course is Set on Hope
PATRICIA E. MEARS on The Cambridge History of Western Textiles
BRUCE HAINLEY on James McCourt’s Queer Street: Rise and Fall of an American Culture, 1947–1985
CHRISTOPHER BYRD on A.D. Nuttall’s Dead From the Waist Down: Scholars and Scholarship in Literature and the Popular Imagination
DAVID A. ROSS on Michael Rush’s Video Art
Boris Groys and Max Hollein, eds., Dream Factory Communism
Mike and Doug Starn, Attracted to Light
Marianne Aav, ed., Marimekko: Fabrics, Fashion, Architecture
Meghan O’Rourke on August Kleinzahler’s The Strange Hours Travelers Keep
Chris Kraus on Rebecca Brown’s The End of Youth
Jennifer Liese on David Caute’s The Dancer Defects: The Struggle for Cultural Supremacy During the Cold War
Joseph Donahue on Barry Schwabsky’s Opera: Poems 1981-2002
Nico Israel on Susan Buck-Morss’s Thinking Past Terror: Islamism and Critical Theory on the Left
Eric Banks on Simon Winchester’s The Meaning of Everything: The Story of the Oxford English Dictionary