COLUMNS
Barry Schwabsky on Isamu Noguchi: Essays and Conversations, ed. Diane Apostolos-Cappadona and Bruce Altshuler, and Isamu Nogochi, by Bruce Altshuler
Brian Massumi on Culture on the Brink: Ideologies of Technology, ed. Gretchen Bender and Timothy Druckrey, Crash: Nostalgia for the Absence of Cyberspace, ed. Robert Reynolds and Thomas Zummer, Mosquitoes: A Handbook for Survival, by Ken Kaplan and Ted Krueger, and Invisible Rendezvous: Connection and Collaboration in the New Landscape of Electronic Writing, by Rob Wittig of IN.S.OMNIA
Lee Smith on Philip Guston’s Late Work: A Memoir, by William Corbett
Jeanne Silverthorne on Mining the Museum: An Installation by Fred Wilson, ed. Lisa G. Corrin
Thomas McEvilley on The Avant-Garde in Exhibition, by Bruce Altshuler
Andrew Ross on Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place, by George Lipsitz
Carol Squiers on The Playboy Book: The Complete Pictorial History, by Gretchen Edgren, In and Out of Fashion, by William Klein, Life’s America, by Wendy Kozol, and Farewell to Bosnia by Gilles Peress
Barry Schwabsky on Vito Acconci, by Kate Linker
Anthony Korner on Our Films, Their Films, by Satyajit Ray
Philip Taaffe on Paul Bowles–Photographs: “How could I send a picture into the desert?”, ed. Simon Bischoff
Molly Nesbit on New York Dada, 1915-23, by Francis M. Naumann
Arthur C. Danto on Theory and Philosophy of Art: Style, Artist, and Society, by Meyer Schapiro
Bruce Hainley on Finitude’s Score: Essays for the End of the Millennium, by Avital Ronell
Richard Martin on Norman Parkinson: Photographs, 1935-1990, by Martin Harrison, and A Singular Elegance: The Photographs of Baron Adolphe de Meyer, by Anne Ehrenkranz
Collier Schorr on Mel Ramos: Pop Art Images, with an introduction by Robert Rosenblum
bell hooks on Blue, by Derek Jarman
Howard Hampton on “If They Move…Kill ‘Em!”: The Life and Times of Sam Peckinpah, by David Weddle
Gary Indiana on Faithfull: An Autobiography, by Marianne Faithfull, with David Dalton
Richard Flood on Talking Pictures, ed. Marvin Heiferman and Susan Kismaric
Rhonda Lieberman on The GenX Reader, ed. Douglas Rushkoff
Lisa Liebmann on Making It New: Essays, Interviews, and Talks, by Henry Geldzahler
Harold Bloom on The Correspondence of Walter Benjamin, 1910 – 1940, ed. and annotated by Gershom Scholem and Theodor W. Adorno
Linda Nochlin on Secret Lives in Art, by Jill Johnston