COLUMNS
FATHERS AND SONS: W. G. SEBALD
Mark M. Anderson on Sebald’s two fathers
Arch Proponent: Hart Crane
Mark Ford on Crane’s extravagant art
The Moviegoer: Richard Linklater’s Fast Food Nation; The Insider: Jonathan Littell’s Les Bienveillantes; Talking Pictures: David Bailey
Radhika Jones on Paula Fox
Bess Rattray on Hungary, 1956
Corey Levitan on Las Vegas’s Reading Room
Natasha Randall on Eugene Ostashevsky’s Oberiu: An Anthology of Russian Absurdism
Tess Lewis on Daniel Kehlmann’s Measuring the World
Clare Cavanagh on Jerzy Andrzejewski’s Holy Week: A Novel of the Warsaw Ghetto Uprising
Myla Goldberg on Eileen Chang’s Love in a Fallen City
Vince Passaro on Anthony Swofford’s Exit A
Christopher R. Beha on Paco Ignacio Taibo II and Subcomandante Marcos’s The Uncomfortable Dead (What’s Missing Is Missing)
Andrew Hultkrans on Jonathan Raban’s Surveillance
Leonard Schwartz on Harryette Mullen’s Recyclopedia: Trimmings, S•PeRM••K•T, and Muse & Drudge
Craig Morgan Teicher on Laird Hunt’s The Exquisite
Liz Brown on Karen Russell’s St. Lucy’s Home for Girls Raised by Wolves
Andrea Walker on Alice Munro’s The View from Castle Rock
Karl Galinsky on Adrian Goldsworthy’s Caesar: Life of a Colossus
Daniel Pick on Phillip Cole’s The Myth of Evil: Demonizing the Enemy and Henry Ansgar Kelly’s Satan: A Biography
Rachel Shteir on Caroline Moorehead’s Selected Letters of Martha Gellhorn
ben Ratliff on John Corbett’s The Wisdom of Sun Ra: Sun Ra’s Polemical Broadsheets and Streetcorner Leaflets
Stephanie Hanson on Jason Weiss’s Steve Lacy: Conversations
Michael Roth on George Prochnik’s Putnam Camp: Sigmund Freud, James Jackson Putnam, and the Purpose of American Psychology
Brian Sholis on Vincent Kaufmann’s Guy Debord: Revolution in the Service of Poetry
Susan Elizabeth Ryan on Donna M. Cassidy’s Marsden Hartley: Race, Region, and Nation and Jay Bochner’s An American Lens: Scenes from Alfred Stieglitz’s New York Secession
Gal Beckerman on Primo Levi’s Auschwitz Report
Jennifer Baumgardner on Jack Holland’s Misogyny: The World’s Oldest Prejudice
Maurice Manning on Kim Todd’s Chrysalis: Maria Sibylla Merian and the Secrets of Metamorphosis
Reena Jana on Kristen Haring’s Ham Radio’s Technical Culture
Laurel Maury on Ivan Brunetti’s An Anthology of Graphic Fiction, Cartoons, and True Stories
Adam Lindemann’s Collecting Contemporary
Olaf Breidbach’s Visions of Nature: The Art and Science of Ernst Haeckel
Tom Leclair on Thomas Pynchon’s Against the Day
William Sherman on Tom Phillips’s Merry Meetings
Alex Abramovich on Calvin Trillin’s About Alice
Francine Prose on Rachel Cusk’s Arlington Park
Sam Lipsyte on Will Self’s The Book of Dave
Sarah Kerr on Elisabeth Young-Bruehl’s Why Arendt Matters