Liz Brown on William Bruce Johnson’s Miracles and Sacrilege: Roberto Rossellini, the Church, and Film Censorship in Hollywood and Thomas Doherty’s Hollywood’s Censor: Joseph I. Breen and the Production Code Administration
Rebecca Walker on Kathy Davis’s The Making of Our Bodies, Ourselves: How Feminist Knowledge Travels Across Borders
Alan Light on David N. Meyer’s Twenty Thousand Roads: The Ballad of Gram Parsons and His Cosmic American Music
Albert Mobilio on Donald Friedman’s The Writer’s Brush: Paintings, Drawings, and Sculpture by Writers
Eric Banks on Ani Boyajian and Mark Rutkoski’s Stuart Davis: A Catalogue Raisonné, Katy Siegel on Mark Godfrey’s Abstraction and the Holocaust, Gregory Williams on Claudia Mesch and Viola Michely’s Joseph Beuys: The Reader
