COLUMNS
Arthur C. Danto on The Judgment of Paris, by Hubert Damisch
Carol Squiers on New York 1954.55, by William Klein; Red Light: Inside the Sex Industry, photographs by Sylvia Plachy and text by James Ridgeway; Living Apart: South Africa under Apartheid, by Ian Berry; The Wedding, photographs by Nick Waplington and text by Irvine Welsh; Ray’s a Laugh, by Richard Billingham
Marek Bartelik on Ilya Kabakov: The Man Who Never Threw Anything Away, by Amei Wallach
Richard Howard on The Lure and the Truth of Painting: Selected Essays on Art, by Yves Bonnefoy
John Ash on Free Rein, by Andre Breton
Thyrza Nichols Goodeve on The Cyborg Handbook, ed. Chris Hables Gray, with the assistance of Heidi J. Figueroa-Sarriera and Steven Mentor
Andrew Hultkrans on Escape Velocity: Cyberculture at the End of the Century, by Mark Dery
Lisa Liebmann on What the Butler Saw: Selected Writings, by Stuart Morgan
Andrew Hultkrans on That’s Blaxploitation!-Roots of the Baadasssss ‘Tude (Rated X by an All-Whyte Jury), by Darius James, a.k.a. Dr. Snakeskin
Ernest Pascucci on Stud: Architectures of Masculinity, ed. Joel Sanders
Harold Bloom on The Gazer’s Spirit: Poems Speaking to Silent Works of Art,by John Hollander
M. G. Lord on Big Hair: A Journey into the Transformation of Self, by Grant McCracken
Gary Indiana on Art Objects: Essays on Ecstasy and Effrontery, by Jeanette Winterson
Richard Schiff on Beyond Piety: Critical Essays on the Visual Arts, 1986-1993, by Jeremy Gilbert-Rolfe
Benjamin Weissman on Dreams, by Jim Shaw
Molly Nesbit on Kant after Duchamp, by Thierry de Duve
Deb Schwartz on Guilty Pleasures: Feminist Camp from Mae West to Madonna, by Pamela Robertson