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Summer 2024
Archive
FEATURES
Time to Face Reality
A. S. HAMRAH ON
EMILY NUSSBAUM’S HISTORY OF A TV PHENOMENON
The Bad Enough Mother
JANIQUE VIGIER ON
CAROLINE BLACKWOOD’S BLEAK COMIC WORLD
Burning Bush
GENE SEYMOUR ON
HOW THE EARLY ’90s SET THE STAGE FOR AMERICA’S CROOKED PRESENT
COLUMNS
BOOKFORUM CONTRIBUTORS on this season’s notable art books
SHEILA HETI interviews Adelle Waldman
FICTION
CHARLOTTE SHANE: Miranda July’s
All Fours
ELVIA WILK: Gabriel Smith’s
Brat
LEO ROBSON: Hari Kunzru’s Blue
Ruin
ED PARK: Emil Ferris’s
My Favorite Thing Is Monsters: Book Two
JAMIE HOOD: Rachel Cusk’s
Parade
ADAM WILSON: Honor Levy’s
My First Book
ZAIN KHALID: Percival Everett’s
James
JANE HU: Claire Messud’s
This Strange Eventful History
NONFICTION
JENNIFER KRASINSKI: Peter Schjeldahl’s
The Art of Dying: Writings, 2019–2022
DAVID O’NEILL:
American Gothic: Gordon Parks and Ella Watson
MOIRA DONEGAN: Christine Blasey Ford’s
One Way Back
HANNAH ZEAVIN: Adam Phillips’s
On Giving Up
SASHA FRERE-JONES: Michel Leiris’s
Frail Riffs
GRACE BYRON: Phillipa Snow’s
Trophy Lives: On the Celebrity as an Art Object