In the form of a prominent tattoo on Kurt Cobain’s arm, the logo of K Records — a hand-inked logo around a capital K — has entered musical and cultural history, though largely as a footnote to grunge. There have been previous attempts to tell the story of the Olympia, Washington–based independent label in its own right: Heather Rose Dominic’s documentary feature The Shield Around the K appeared in 2000, and Michael Azzerrad’s Our Band Could Be Your Life, which concluded with a chapter on K’s flagship band Beat Happening, followed in 2002. Despite such efforts, both the label and
- review • January 15, 2013
- review • January 15, 2013
I swear I heard Wolf Blitzer distinguish between facts that were facts and facts that weren’t facts in the spin room at CNN after one of the recent presidential debates. Also in the run-up to the election: the Tampa Bay Times produced over 800 fact-checks, sending their Truth-o-Meter careering all over the screen; Rachel Maddow bemoaned the degradation, if not the total annihilation, of The Fact; Time ran a cover story on “The Fact Wars”; and FactCheck.org catalogued the Whoppers of 2012, enumerating the false or deceptive claims made by both the Democratic and Republican campaigns. Politifact.com promised to separate
- review • January 14, 2013
“For a person whose sole burning ambition is to write — like myself — college is useless beyond the sophomore year,” William Styron wrote to his father in 1946, after returning from Platoon Commander School in Quantico, Va., to resume his studies at Duke. Styron would go on to graduate — he was a nice boy, and eager to please his doting father — but he wasn’t kidding about his monomaniacal focus on writing, and in many ways the early pages of this splendid book are the hardest.
- review • January 10, 2013
It might take a few hermeneutic gymnastics to spot hipsters moodily haunting Western literature, in soliloquy and idleness. But “hipster” is a pliant enough term that you can apply it to a number of disaffected young literary characters, straddling social strata in either good or bad faith. Consider the aristocrat’s ennui that seeps from Hamlet downward, to Wordsworth, Flaubert, all the golden Russians, Salinger, Franzen. These types usually arise in youth and fortune, squander both, and go belly-up when middle-age or financial realities reassert themselves. Weimar Republic hipsters have recently become my favorite variant after reading Going to the Dogs—their
- review • January 9, 2013
One of the drawbacks of working in a bookstore, something I did for many years, is that it can be like working in a small-town pharmacy: You learn things about people you might rather not know.
- review • January 4, 2013
For E.M. Forster the diary was of spasmodic usefulness, and for long stretches of his long and oddly shaped life might well not be a writer’s diary at all. As he acknowledged, ‘unfortunately I only open this book when my heart aches’; and even then there can be passages as stoically minimal as the diary of A.E. Housman (‘I spoke,’ and ‘Non respondit’ are disproportionately momentous remarks). In all the most intimate matters the entries are mere cryptic memoranda, and on a few occasions happiness writes white: ‘After which Bob and I .’ The type for these provoking blanks may
- review • January 3, 2013
For Rainer Maria Rilke the year 1903 did not begin auspiciously. He and his wife, the sculptor Clara Westhoff, were living in Paris, where the poet had come in order to write a monograph on Auguste Rodin. The Rilkes were not exactly dazzled by the City of Light. In a letter to his friend the artist Otto Modersohn, dated New Year’s Eve 1902, the poet spoke of Paris as a “difficult, difficult, anxious city” whose beauty could not compensate “for what one must suffer from the cruelty and confusion of the streets and the monstrosity of the gardens, people and
- review • January 2, 2013
It is almost 40 years since the publication of Fred Halliday’s landmark book Arabia without Sultans. Now, in the wake of the Arab spring, another young British academic has written an important account of prospects for the Gulf region, calling his study After the Sheikhs. Both titles contain a strong element of wishful thinking.
- review • December 28, 2012
A reader could easily run out of adjectives to describe Nassim Nicholas Taleb’s new book Antifragile: Things That Gain From Disorder. The first ones that come to mind are: maddening, bold, repetitious, judgmental, intemperate, erudite, reductive, shrewd, self-indulgent, self-congratulatory, provocative, pompous, penetrating, perspicacious and pretentious.
- review • December 27, 2012
‘Sometimes,’ Philip Larkin wrote in a letter, ‘I think I’m preparing for a huge splenetic autobiography, denigrating everyone I’ve ever known: it would have to be left to the nation in large brass-bound boxes, to be printed when all of us are dead.’ In the event he arranged to have his diaries shredded a few days before his death in 1985. But there was enough spleen and denigration to go round in the stuff preserved by ambiguous clauses in his will
- review • December 21, 2012
One Friday evening at BAM this past summer, roughly twelve minutes into Philip Glass and Robert Wilson’s four-and-a-half-hour-long avant-garde Gesamtkunstwerk, “Einstein on the Beach,” a man sitting a row ahead of me stole a glance at his watch. It seemed an eloquent gesture. Not as a verdict on the show—which has been rightly hailed and heralded across the world—but as a vignette of our contemporary busyness. Nowadays, encounters of the spirit must be scheduled long in advance, and even then the endless tide of deferred chores and anticipated engagements never ceases to break on our attention. There is always something
- review • December 20, 2012
In the afterword to his translation of Jakob Wassermann’s My First Wife, a scrupulous account of his divorce from his wife of 20 years, Michael Hofmann quotes Rilke: “In the depths, everything becomes law.” The divorce of man and woman is one such depth, an anti-tale of many inversions: Love becomes hate, unanimity becomes animosity, shared interests become competing claims, alliance becomes war; and everything that seemed fleshly and human and natural, everything for which it might appear impossible to legislate—trust, generosity, self-sacrifice, nurture, belief itself—everything does indeed become law.
- review • December 19, 2012
It might be useful to distinguish between pleasure and joy. But maybe everybody does this very easily, all the time, and only I am confused. A lot of people seem to feel that joy is only the most intense version of pleasure, arrived at by the same road—you simply have to go a little further down the track. That has not been my experience. And if you asked me if I wanted more joyful experiences in my life, I wouldn’t be at all sure I did, exactly because it proves such a difficult emotion to manage. It’s not at all
- review • December 18, 2012
Just after seven-thirty on the morning of February 27th, a seventeen-year-old boy named T. J. Lane walked into the cafeteria at Chardon High School, about thirty miles outside Cleveland. It was a Monday, and the cafeteria was filled with kids, some eating breakfast, some waiting for buses to drive them to programs at other schools, some packing up for gym class. Lane sat down at an empty table, reached into a bag, and pulled out a .22-calibre pistol. He stood up, raised the gun, and fired. He said not a word.
- review • December 17, 2012
Few crimes are more harshly forbidden in the Old Testament than sacrifice to the god Moloch (for which see Leviticus 18.21, 20.1-5). The sacrifice referred to was of living children consumed in the fires of offering to Moloch. Ever since then, worship of Moloch has been the sign of a deeply degraded culture. Ancient Romans justified the destruction of Carthage by noting that children were sacrificed to Moloch there. Milton represented Moloch as the first pagan god who joined Satan’s war on humankind:
- print • Dec/Jan 2012
© James Castle Collection and archive, courtesy Knoedler & Co IF THERE WERE A JOB APPLICATION for America’s archetypal “outsider artist,” James Castle could check almost all the appropriate boxes: Deaf, illiterate, untrained, and undiscovered until he reached his fifties, he lived his entire life (he died in 1977) on a farm in Idaho. There […]
- print • Dec/Jan 2012
“How do you feel about representing New York at our literary festival here in Frankfurt?” asked the voice on the phone in halting, German-inflected English. The voice belonged to Wolfram, the organizer of the festival. “Writers from other cities are also invited,” he said, ticking off the names of authors who would be embodying the […]
- print • Dec/Jan 2012
BETWEEN 1958 AND 1966, Ernest Cole made photographs from inside the belly of the beast that imprisoned him and his fellow black South Africans. When his first and only photo book, House of Bondage, was published in 1967, Cole knew that if he stayed in his own country, he’d be arrested. He escaped, traveling through […]
- print • Dec/Jan 2012
Courtesy George and Betty Woodman. IN THE THIRTY YEARS since artist Francesca Woodman committed suicide, her reputation as a photographer has steadily grown alongside her mythic status as a kind of tragic heroine. Her self-portraits are widely imitated by young female art students eager to insert their own bodies into elusive narratives. The somewhat extravagant […]
- print • Dec/Jan 2012
The problem for feminist artists of the past few decades isn’t that their work is absent from museums. It’s that their art isn’t usually where one hopes or expects to find it: in the main galleries of major institutions. However, archives, libraries, and artists’ files richly document art by women—a by-product of these artists’ marginalization from the halls of Great Art, which caused many feminist artists to adopt ephemeral, mass-distributed forms. As testimony to this process, the Martha Wilson Sourcebook, a collection of texts selected by Wilson and reproduced from her archives, performs a double task: It illuminates a chapter