Cover of Spring 2024

Fall 2024

COLUMNS

A Roon with a View

BRANDON TAYLOR ON THE NOVELS OF SALLY ROONEY

Agnès All Along

A. S. HAMRAH ON THE STUNNING, NONLINEAR CAREER OF AGNÈS VARDA

The Lines, They Are A-Changin’

JUSTIN TAYLOR ON GETTING LOST AND FOUND IN THE BOB DYLAN ARCHIVES

JAMIE HOOD talks with Charlotte Shane

CHRISTIAN LORENTZEN: Tony Tulathimutte’s Rejection

ANGELO HERNANDEZ SIAS: Garth Greenwell’s Small Rain

RYAN RUBY: Rachel Kushner’s Creation Lake

ALEXANDRA KLEEMAN: Danzy Senna’s Colored Television

SUSAN BERNOFSKY: Olga Tokarczuk’s The Empusium: A Health Resort Horror Story

JESS BERGMAN: Wilfrid Sheed’s Office Politics

PHILIPPA SNOW: Lili Anolik’s Didion and Babitz

HANNAH GOLD: Al Pacino’s Sonny Boy

JENNIFER KRASINSKI: Christopher D’Arcangelo

ELVIA WILK: Simon Critchley’s Mysticism

MOIRA DONEGAN: Anastasia Berg and Rachel Wiseman’s What Are Children For?: On Ambivalence and Choice

MICHAEL ROBBINS: Kristin Ross’s The Commune Form: The Transformation of Everyday Life

MARY TURFAH: Ang Swee Chai’s From Beirut to Jerusalem

SAM HUBER: Clare Croft’s Jill Johnston in Motion: Dance, Writing, and Lesbian Life and The Essential Jill Johnston Reader

DAVID KLION: Richard Beck’s Homeland: The War on Terror in American Life