The Azrael World

AUDREY WOLLEN ON JOY WILLIAMS’S STORIES OF ANGELS, DEMONS, AND THE FATE OF HUMANITY

Reader, I Divorced Him

HERMIONE HOBY ON NARRATIVES OF MARRIAGE AND ITS DISSOLUTION

You Can’t Go Home Again

JESSI JEZEWSKA STEVENS ON ÁGOTA KRISTÓF’S CONFOUNDING FICTIONS OF EXILE

BECCA ROTHFELD: Antonio di Benedetto’s Zama, The Silentiary, and The Suicides

RACHEL MONROE: Carmen Boullosa’s Texas: The Great Theft: 10th Anniversary Edition

JENNIFER KRASINSKI: Elfriede Jelinek’s The Children of the Dead

MELISSA ANDERSON: Jane DeLynn’s In Thrall

JAMIE HOOD: Virginie Despentes’s Dear Dickhead

DAVID KURNICK: Alan Hollinghurst’s Our Evenings

ARIANA REINES talks with Emily Witt

ANDREW CHAN: Love, Joe: The Selected Letters of Joe Brainard

ANAHID NERSESSIAN: John Kelsey’s I Forget

DAVID O’NEILL: Alec Soth’s Advice for Young Artists

LIZZY HARDING: Carrie Courogen’s Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius

HARMONY HOLIDAY: Brandon Shimoda’s The Afterlife Is Letting Go

SASHA FRERE-JONES: David Graeber’s The Ultimate Hidden Truth of the World . . .

GENE SEYMOUR: Philip Freeman’s In the Brewing Luminous: The Life & Music of Cecil Taylor

IAN VOLNER: Architecture. Research. Office.

MARY TURFAH: Isabella Hammad’s Recognizing the Stranger: On Palestine and Narrative

REBECCA ARIEL PORTE: Marguerite Young’s Angel in the Forest: A Fairy Tale of Two Utopias